Why THE DEKALOG and why now?
Because it deals questions of moral and spiritual truth without ever once flattening its characters or their struggles into black-and-white categorizations.
Because it is unflinchingly emotional -- in the delineation of its characters, in the way it works with music, color, timing, and subltety.
Because it confronts the impulse to bypass-- or transcend-- human impulse digitally in ways that resonate uncannily to the present moment.
And it also wrestles with the differences and relations between individual rage and state violence.
Because it was made for everyone in a society at a particular inflection point, facing collapse.
Roger Ebert on The Dekalog: "it shows that the Ten Commandments are less like science and more like art..."
These films are what Kafka said, in 1904, that a book should be:
an "axe for the frozen sea inside us."